6 results
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St. Gallen. Stiftsbibliothek, Cod. Sang. 52
- Collection
- e-codices
- Library
- St. Gallen. Stiftsbibliothek
- Date
- 9th century, first half of the 9th century
- Language
- Latin
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Saint Jerome (b. 347, d. 420), priest and theologian
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Bede the Venerable (b. c. 673, d. 735), monk and theologian
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Maître de l’Entrée (de François I), Lyon, and a collaborator
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Genève. Bibliothèque de Genève, Ms. fr. 70/2
- Collection
- e-codices
- Library
- Genève. Bibliothèque de Genève
- Date
- 15th century, ca. 1457-1482
- Language
- French
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Maître de l’Entrée (de François I), Lyon, and a collaborator
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Between 1416 and 1422, Jean de Courcy wrote a chronicle titled La Bouquechardière, named after his fief
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St. Gallen. Stiftsbibliothek, Cod. Sang. 731
- Collection
- e-codices
- Library
- St. Gallen. Stiftsbibliothek
- Date
- 8th century, 794
- Language
- Latin
-
Maître de l’Entrée (de François I), Lyon, and a collaborator
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The so-called Wandalgarius manuscript containing the Lex Romana Visigothorum, the Lex Salica and the
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Genève. Bibliothèque de Genève, Ms. fr. 70/1
- Collection
- e-codices
- Library
- Genève. Bibliothèque de Genève
- Date
- 15th century, ca. 1457-1482
- Language
- French
-
Maître de l’Entrée (de François I), Lyon, and a collaborator
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Between 1416 and 1422, Jean de Courcy wrote a chronicle titled La Bouquechardière, named after his fief
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St. Gallen. Kantonsbibliothek, Vadianische Sammlung, VadSlg Ms. 427
- Collection
- e-codices
- Library
- St. Gallen. Kantonsbibliothek, Vadianische Sammlung
- Date
- 15th century, third quarter of the 15th century
- Language
- Latin
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Maître de l’Entrée (de François I), Lyon, and a collaborator
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The cosmology of the Lyon physician and astrologer Louis de Lange treats the formation of the world and
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Genève. Bibliothèque de Genève, Ms. lat. 367
- Collection
- e-codices
- Library
- Genève. Bibliothèque de Genève
- Date
- 16th century, beginning of the 16th century, after 1511
- Language
- Latin, French
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Maître de l’Entrée (de François I), Lyon, and a collaborator
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This is an early witness of the reception of this series of images in France and an example of the often
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