This highly unusual textual object contains three pastiches of
cut-out colored initials and twelve Flemish miniatures from the
second half of the 16th century, glued to newer parchment pages and
outlined during the 19th century, such that the composite images
are presented as if they were painted on a single, matted page. The
miniatures were taken from a personal prayer book that belonged to
Anne of Cleves (1515-1557).
