Cambridge. Cambridge University Library, MS Dd.13.27

Source

Cambridge Digital Library

Library

Cambridge. Cambridge University Library

Shelfmark

• MS Dd.13.27

Biblissima authority file

• https://data.biblissima.fr/entity/Q210103

Date

• First half of the 16th century C.E. (c. 1524-1533)

Title

• Ave Dei Patris
• Laudavimus
• O Bone Ihesu
• O domine celi et terre
• Stabat Mater
• Eterne Laudis
• Te matrem
• Plaude potentissima
• Ave dei Patris
• Maria dum salutaris
• Gaude plurimum
• Missa de Regalis
• Missa De O bone Ihesu
• Te deum misse
• Cristus Resurgens
• God save kyng herry
• Magnificat
• see more

Agent

• Preferred form

  • Robert Fayrfax (1464-1521)

  Role

  • Author

  Original form

  • Robert Fayrfax (1464-1521)
  • Fayrfax, Robert, 1464-1521

  Biblissima authority file

  • https://data.biblissima.fr/entity/Q32601

• Preferred form

  • Richard Davy (compositeur, 14..-15..)

  Role

  • Author

  Original form

  • Richard Davy (approximately 1465-1538)
  • Davy, Richard, approximately 1465-1538

  Biblissima authority file

  • https://data.biblissima.fr/entity/Q32580

• Preferred form

  • Hugh Aston (1485?-1558)

  Role

  • Author

  Original form

  • Hugh Aston (approximately 1485-)
  • Aston, Hugh, approximately 1485-

  Biblissima authority file

  • https://data.biblissima.fr/entity/Q32446

• Preferred form

  • Stephen Prowett (1495?-1560?)

  Role

  • Author

  Original form

  • Stephen Prowett (1495-1560)
  • Prowett, Stephen, 1495-1560

  Biblissima authority file

  • https://data.biblissima.fr/entity/Q32624

• Preferred form

  • John Taverner (1490?-1545)

  Role

  • Author

  Original form

  • John Taverner (approximately 1495-1545)
  • Taverner, John, approximately 1495-1545

  Biblissima authority file

  • https://data.biblissima.fr/entity/Q32498

• Role

  • Author

  Original form

  • Thomas Lovell
  • Lovell, Thomas

• Preferred form

  • William Pashe (14..?-15..)

  Role

  • Author

  Original form

  • William Pasche (active 16th century)
  • Pashe, William, active 16th century

  Biblissima authority file

  • https://data.biblissima.fr/entity/Q32692

• Preferred form

  • Thomas Ashewell (1478?-1513 ?)

  Role

  • Author

  Original form

  • Thomas Ashwell (approximately 1478-)
  • Ashewell, Thomas, approximately 1478-

  Biblissima authority file

  • https://data.biblissima.fr/entity/Q32626

• Preferred form

  • John Moore (1646-1714)

  Role

  • Former owner

  Original form

  • John Moore (1646-1714)
  • Moore, John, 1646-1714

  Other form

  • John Moore, Bishop of Ely (1646-1714)
  • John Moore
  • John Moore (d. 1714)
  • Moore
  • Moore, John 1646-1714
  • see more

  Biblissima portal

  • https://portail.biblissima.fr/en/ark:/43093/pdatacf768b3608fcd1964a231d0d9545f44f788c2374

  Biblissima authority file

  • https://data.biblissima.fr/entity/Q16997

• Preferred form

  • Georges I (roi de Grande-Bretagne, 1660-1727)

  Original form

  • King George I (1660-1727)
  • George I, King of Great Britain, 1660-1727

  Biblissima authority file

  • https://data.biblissima.fr/entity/Q32424

Description

• A Tudor part book, which contains the music for one voice over a range of pieces, here, the tenor. It was possibly created in East Anglia for the private chapel of Thomas Fiennes, 9th Baron Dacre. It would originally have formed part of a set of five or perhaps six for individual voices. The accompanying bass part is found in Cambridge, St John's College MS 234, but the others are lost.

  Both part books comprise, for their respective voices, the music for 10 individual motets by a range of Tudor composers; three by Robert Fayrfax, two by Stephen Prowett and two by John Taverner, and one by each of H. Davy, Lovell, and Hugh Austen or Aston. There is also a Stabat Mater by Richard Davy, and a Magnificat by Fayrfax. Lastly, the book provides five compositions for the musical accompaniment to the mass: two by Fayrfax, and one of each of Austen, William Pasche, and Thomas Ashwell, making 17 individual pieces in all.

  In the heading for Ashwell's mass, a blessing on King Herry, i.e. Henry VIII, is written, on folio 31r, and one motet preserves the name of his first and longest-lasting wife, Katherine of Aragon. Nevertheless, the presence of Taverner's music implies a date later in their marriage, which was annulled in 1533, so likely the manuscript was written between 1524 and that date.

  Arthur Westwell, Queens' College, Cambridge.

Place

• Preferred form

  • East Anglia (United Kingdom)

  Original form

  • East Anglia

  Other form

  • England, East Anglia
  • England, Winchester and East Anglia
  • East Anglia, England

  Biblissima portal

  • https://portail.biblissima.fr/en/ark:/43093/ldata4d52e02b028763fbab7ea5ca3f7119ffab530c9a

  Biblissima authority file

  • https://data.biblissima.fr/entity/Q27520

Rights

• Provided by Cambridge University Library. Zooming image © Cambridge University Library, All rights reserved. Images made available for download are licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License (CC BY-NC 3.0) This metadata is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License.

License

• http://creativecommons.org/licenses/by-nc/3.0/

Digitisation

• http://cudl.lib.cam.ac.uk/view/MS-DD-00013-00027/1

Manifest URL

• https://cudl.lib.cam.ac.uk/iiif/MS-DD-00013-00027