Manchester. The John Rylands Library, Walter L. Bullock Book Collection, 1558

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Source
Manchester Digital Collections
Library
The John Rylands Library
Shelfmark
  • 1558
Biblissima authority file
Date
  • 1586
Language
  • Italian
Title
  • Il Petrarca con nuoue spositioni, et insieme alcune molto utili, & belle annotationi d'intorno alle regole della lingua toscana, con una conserua di tutte le sue rime ridotte co' versi interi sotto le lettere vocali. (Tauola di tutte le rime de' sonetti, e canzoni del Petrarca, ridotte co i versi interi sotto le lettere vocali. | Canzoniere e trionfi | Rerum vulgarium fragmenta | La vita et costumi di m. Francesco Petrarca. | Origine di m. Laura, con la descrittione di Valclusa, & del luogo, ove il poeta di lei s'innamoro'. | Testamento di m. Francesco Petrarca. Tradotto per quelli che non sanno lettere. | Trionfi. | Triumphi.)
Agent
  • Preferred form
    • Pétrarque (1304-1374)
    Role
    • Author
    Original form
    • Petrarca, Francesco, 1304-1374.
    Other form
    • Petrarca, Francesco (1304-1374)
    • Francesco Petrarca
    • Petrarca, Francesco
    • PETRARCHA (Franciscus)
    • Franciscus Petrarcha
    • Francesco Petrarcha
    • Pétrarque
    • PETRARQUE
    • Pétrarque (1304-1374)
    • Petrarque, François
    • PETRARQUE (François)
    • Franciscus Petrarca
    • Pétarque
    • François Pétrarque
    • FRANCISCUS PETRARCHA
    • Pétrarque (François)
    • Francisci Petrarche
    • Pétrarque 1304-1374
    • Petrarca, Francesco, 1304-1374
    • Author: Petrarca, Francesco
    • Former possessor: Petrarca, Francesco
    • Annotator: Petrarca, Francesco
    • Petrarch
    • Petrarca, Francesco, 1304-1374, poet
    • Petrarcha
    • Francesco Petrarca (1304-1374)
    • Petrarca, Francesco, 1304-1374. Triumphus Fame
    • Petrarca, Francesco, 1304-1374. Trionfo della fama
    • Petrarca, Francesco, 1304-1374. Trionfo della fama.
    • Petrarca, Francesco, 1304-1374. La gola, e 'l sonno, e l'ociose piume.
    • Petrarca, Francesco, 1304-1374. In qual parte del cielo, in qual idea ...
    • Petrarca, Francesco, 1304-1374. In quella parte dov'amor mi sprona.
    • Petrarca, Francesco, 1304-1374. Rerum vulgarium fragmenta.
    • Francesco Pétrarque (1304-1374)
    • Petrarca
    • Petrarca, Francesco, 1304-1374 > , co-autor
    • Francesco Petrarca - 1304 - 1374 - auteur
    • see more
    Biblissima portal
    Biblissima authority file
  • Preferred form
    • Pietro Bembo (1470-1547)
    Role
    • Commentator
    Original form
    • Bembo, Pietro, 1470-1547
    Other form
    • Bembo, Pietro
    Biblissima portal
    Biblissima authority file
  • Preferred form
    • Pietro Cresci (15..?-15..?)
    Original form
    • Cresci, Pietro.
    Biblissima authority file
  • Preferred form
    • Lucantonio Ridolfi (1510-1570)
    Original form
    • Ridolfi, Luca Antonio, 16th cent.
    Biblissima authority file
  • Preferred form
    • Alfonso Cambi (1535-1570)
    Original form
    • Cambi, Alfonso.
    Biblissima authority file
  • Preferred form
    • Giorgio Angelieri (15..-16..)
    Role
    • Printer
    Original form
    • Angelieri, Giorgio, fl. 1562-1600
    Biblissima authority file
  • Preferred form
    • Alessandro Vellutello (1473?-1550?)
    Original form
    • Vellutello, Alessandro. La vita et costumi di m. Francesco Petrarca.
    Biblissima authority file
  • Preferred form
    • Walter Llewellyn Bullock (1890-1944)
    Role
    • Former owner
    Original form
    • Bullock, Walter Llewellyn, 1890-1944
    Biblissima authority file
Description
  • Extent:
    2 pti. [in 1], ill., ports., 13 cm (16mo) Leaf height: 117 mm, width: 69 mm.
    Binding:

    Contemporary[?] parchment over boards; sewing supports visible on front and rear hinges; direct-lettered MS on spine: 1586; gilt-tooled title label on spine: Il / Petrarca.


    Acquisition:

    Donated to the The University of Manchester by Hélène Louise Bullock, widow of Walter L. Bullock, Serena Professor of Italian, in 1944.


    Data Source(s):

    Created as part of the project 'Petrarch Commentary and Exegesis in Renaissance Italy, c.1350-c.1650' funded by the AHRC and led by Professor Simon Gilson (University of Oxford, Principal Investigator), Dr Federica Pich (University of Leeds, Co-Investigator) and Dr Guyda Armstrong (University of Manchester, Co-Investigator), edited and revised by Julianne Simpson


    Subject(s):
    Noves, Laura de, 1308?-1348.; Italian poetry -- 14th century -- Early works to 1800.
    Abstract:


    Format:
    Codex
    Provenance:

    Faded ownership inscription on the titlepage.

    MS inscription on front pastedown: Walter L. Bullock; from the library of Walter Llewellyn Bullock (1890-1944); accession no. 343973.


    Condition:

    The damaged title-page has been remounted.


    Note(s):

    The preliminary matter includes: the lives of Petrarch and of Laura by Vellutello; the correspondence of Cambi, Ridolfi and Cresci concerning the 'innamoramento' of Petrarch, as given in Roville's edition of 1564; the poet's Testament in Italian.

    The second part is formed by Ridolfi's 'Tauola di tutte le rime de'sonetti, e canzoni del Petrarca, ridotte co i versi interi sotto le lettere vocali.'

    The text is reprinted from the Roville edition of 1558, the Babylonian sonnets (the three sonnets criticizing ecclesiastical corruption in the papal Curia in Avignone) being omitted: pages 207-210 of pt.1 were left blank.

    One portrait (*5r) and six rectangular-box woodcuts. Each triumph is preceded by a rectangular-box woodcut: Amoris (Oo2r), Pudicitie (Qq3v), Mortis (Qq8v), Fame (Rr8r), Temporis (Tt2v), Eternitatis (Tt6r).

    The woodcuts are those of the Angelieri edition of 1585, the portraits are in the vignette used first by Avanzo, 1557.

    Edited by Alfonso Cambi and Luca Antonio Ridolfi, according to Gamba and Graesse. The 'annotationi' are from Bembo.

    Petrarch's poems in italic type and commentary in roman type; printed numbering.

    Printer's device on the titlepage.

    Signatures: *⁸, A-2Y⁸, Z¹² ; ²A-N⁸, ²O¹².


    Publication:
    In Venetia : Appresso Giorgio Angelieri, 1586.
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