Munich. Bayerische Staatsbibliothek, Cgm 1101

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Source
Bayerische Staatsbibliothek
Library
Munich. Bayerische Staatsbibliothek
Shelfmark
  • Cgm 1101
Biblissima authority file
Date
  • Hagenau/Elsass 2. Viertel 15. Jh.
Language
  • German
Title
  • Historienbibel. Marienleben - BSB Cgm 1101
Agent
Description
  • Description:
    Unbeschrieben: I-II, 1, 8v, 213, 233v - 237v, 240v - 241r, 320r - 325v Textverlust: je 1 Bl fehlt zwischen 47 und 49 (durch neueres Bl 48 mit Textnachtrag ergänzt), zwischen 212 und 214 (durch neueres leeres Bl ergänzt), zwischen 250 und 251, 266 und 267; die neueren Bl 234 - 235 und 320 - 321 sind für unbeschriebene fehlende Bl eingebunden
    Altsignatur: Clm 13146
    BSB-Provenienz: Regensburg, Stadtbibliothek
    Mundart: elsässisch
    Kurzaufnahme einer Handschrift
    78 + 27 kolorierte Federzeichnungen, Hagenau, Werkstatt Diebold Laubers
    Extent:
    II + 325 Bl. - Papier
    Alternative Title:
    Clm 13146
    Abstract:
    Englische Version: Illustrated manuscripts of vernacular paraphrases of biblical history, so-called history Bibles, are probably the best-known products of the workshop of Diebold Lauber in Hagenau, Alsace. Like this manuscript, most of them transmit a recension that is based both on the prose version of the world chronicle by Rudolf von Ems and on Brother Philipp's Life of the Virgin Mary. Lauber was a professional scribe who profited from his contacts at the bailiff's office, through which he was able to find new customers. While Lauber's name is first documented in the 1440s, his scribal workshop existed in various forms from circa 1420 to circa 1470, producing numerous manuscripts, of which around 70 have been identified. The wide assortment of products that he advertised suggests that Lauber may have kept a stock of his books. Lauber's workshop is often viewed as a precursor of a printing house, because rationalized methods of production were employed in order to reduce the costs of labor. As can be observed here, the quires are composed of individual leaves and the text is written in simple Gothic cursive letters. The text is structured by means of indices, titles and chapter headings. Also, the simply colored pen illustrations drawn directly on the paper, in most cases without a border or background, reveal a tendency towards serial production. With a limited range of artistic means, a small number of iconographic types were used for various genres of texts. The illustrations most characteristic for Lauber's workshop were created by the painters of the so-called “Malergruppe A,” a group of artists active between 1425 and 1450, who were also responsible for the drawings in the manuscript shown. The manuscript has lost three of its original illustrations. // Autor: Elisabeth Wunderle
    Subjects:
    Bible History Bibles
    220
    Publication Statement:
    Hagenau/Elsass 2. Viertel 15. Jh.
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